The Deep End with Rachelle LeFevre on ABC

Shows with lawyers obviously aren’t going anywhere, and ABC()’s newest effort, The Deep End(), seems to be aiming at an interesting approach… maybe.



Though we are looking for something like the target audience of shows like Ally McBeal() and The Practice (only, you know, the new people who are now in that demographic), The Deep End seems to be also trying to spin in elements of other popular shows, like Boston Legal and L.A. Law (ultimately for a somewhat older group).


But wait, there’s more. The show also kicks out the jams, the hot cars, and has a lot of sex everywhere. There’s something weirdly Melrose Place about someone’s living quarters, and The Twilight() Series’ Rachelle Lefevre, and True Blood()’s Mehcad Brooks are in the line-up, though just left of center. Tina Majorino is cast as much for her ability to hook the right viewers as anything else as well. Billy Zane and Clancy Brown throw at each other as the big dogs of the law firm who are at each other’s throats, and possibly because a lot of people won’t know who they are, and a lot of other people will say, “Oh my God! Clancy Brown!”

What’s really curious, at least in the pilot, is that you can really feel the show trying to bring in the vibe of at least ten different shows, and it’s a bit uncomfortable. We’re looking at first year associates, so we need to be pushing “youth,” but we have this group of them that are going to be a very tight circle, and we want a sort of The Practice style insofar as how they do things. They aren’t jaded yet, and have morals and whatnot when it comes to dealing with clients. But, they’re just little nothings at a giant firm that makes tons of money, so it’s like The Practice went to work for Boston Legal, but they’re all brand new lawyers. But, one of the two big shots at the firm is very “causey” and “pro bono,” so these new kids have a chance at not being swallowed by corporate law… even though that’s where they work.

Obviously, trying to forge something with what has worked elsewhere is likely to result in something that works. But, is The Deep End going to suffer from trying to be everything to everyone? You can’t tell from the pilot. There’s a lot that’s good, but there’s also a lot that’s weird and feels like it’s trying too hard. There’s also just plain a lot. The show tries to establish so much that it has a pace that might not be sustainable. While a good deal of the show is a lot of fun, much of the pilot is devoted to bouncing around so much that it’s hard to get your feet under you. Look, I can’t care about everything.


Mandy's Mind - I hope to check this out, but my PVR is slightly overloaded lately and having it's own issues keeping up with my television obsession so we shall see.

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